1. The hisTory of Cinema
2. The History » A motion picture theater or motion picture theater (likewise called a silver screen, motion picture house, film house, and film theater or picture house) is a venue, more often than not a working, for survey movies or motion pictures. In the US, theater has for some time been the favored spelling, while in the UK and somewhere else it is theater. In any case, numerous US theaters select to utilize the British spelling in their own particular names, a practice bolstered by the National Association of Theater Owners, while separated from North America most English-talking nations by and large utilize the term film. The last terms, and also their subsidiary descriptive words "true to life" and "kinematic", at last get from Greek' development", "movement". In the nations where those terms are utilized, "theater" is generally held for live execution venues. Informal expressions, for the most part connected to movies and film theaters by and large, incorporate the silver screen (in the past now and again sheet) and the extra large screen (diverged from the littler screen of a TV. Particular to North America is the films, while particular to the UK are the photos, the flicks, and for the office itself the insect pit (or fleapit). Screening room alludes to a little theater, frequently a private one, for example, for the utilization of those included in the generation of films or in a huge private living arrangement.
3. T Seven Ages of F he ilm Pioneering Age 1896 - 1912
4. T Seven Ages of F he ilm The Silent Age 1913 - 1927 The development of Hollywood World War I and the mass migration from Europe
5. T Seven Ages of F he ilm The Transition Age 1928-32 From Silent to Sound
6. T Seven Ages of F he ilm The Hollywood Studio Age 1932 - 1946 Domination by the Studio Genre motion pictures World War II
7. T Seven Ages of F he ilm The Internationalist Age 1947 - 1959 Hollywood Studio decrease The test of TV
8. T Seven Ages of F he ilm The New Wave Age 1960 - 1980 From France to the world Technological advancement Small scale creations Strong social/political worth to film.
9. T Seven Ages of F he ilm The Mass Media Age 1980 - present Film and motion pictures as a feature of the worldwide diversion/correspondences media Digital generation
10. History Mechanisms for creating moving pictures had been exhibited from the 1860s. zeotropes praxinoscopes kineoscopes
11. History These depended on the "diligence of vision" to give a figment of development if the pictures were moved at adequate rate past the viewer.
12. History The advancement of the movie projector and film stock permitted the improvement of film. Early movies were static shots demonstrating an occasion or activity with no altering or other true to life systems as this arrangement demonstrating a naked strolling illustrates.
13. History » Early movies were a visual craftsmanship until the late nineteenth century when they formed into an account with a progression of scenes connected together to recount a story. » Scenes were separated into various shots of fluctuating sizes and points. » Camera development was utilized to add to the story advancement. » Music was utilized to make state of mind utilizing a musician/organist utilizing either sheet music or a score as they went with the screen activity.
14. Film History » The primary gathering of people to encounter a moving film did as such in 1895. The film, by the Lumiere siblings was called "Laborers leaving the Lumiere Factory (1895)" » Their film "Train Entering the Gare de Ciotat (1895)" made individuals faint with apprehension as the train lingered from the screen into the theater amphitheater. » These movies did not convey a story or account - they only demonstrated a moving picture on the screen.
15. Film History A colourised still of the Train Entering the Gare de Ciotat Station. Playing petanque (1895) » August (1862-1954) and Louis (1864-1948) Lumiere
16. Film History - Melies » Realizing the capability of a decent story George Melies ( 1861-1938) used film to make phenomenal stories that took his characters and crowds to the moon and past.
17. The changing procedure of silver screen » 1. 2. 3. 4. The adjustments in film process include a few variables. George Huaco indentifies four variables: Current occasions and accomplishments. (political atmosphere) The innovativeness of the producers who impacted the group of specialties individuals involed in the movies. The specialized improvements that could be misused. The limit of an adequate gathering of people to welcome the outcomes.
18. Changing procedure of silver screen » The division amongst film and motion picture makes two perspectives of value and reason. Motion pictures = This is a business separation = famous excitement with a mass flow of duplicates of the film. The group of onlookers being to a great extent inactive. . The result of an industry ruled by the maker (cash) in which there is no individual movie producer however a group under the maker's control. (The studio framework.) The executive is contracted to make the motion picture from the script. The last form is, be that as it may, the duty of the Producer and Editor. The chief of a film is known as: metteur en scene = a translator of a score/script.
19. Movements - The Silent Film » Film creators explored different avenues regarding the utilization of the camera to grow new strategies that would improve their capacity to recount a story. 1913: Giovanni Pastrone (Cabiria) moved his camera along the side and somewhat over the level of the forreground in this way changing the viewpoint of the gathering of people from that they'd beforehand had in the Luniere movies. » 1923: Carl Mayer coordinating Last Laugh for F.W.Murnau proposed a forward development of the camera at sensational minutes as though to push the group of onlookers into the activity.
20. Movements - The Silent Film The man who misused this change was D.W. Griffith (18751948. USA) whose film "The Birth of a Nation (1914) made a dangerous examination of the advancement of the American country from the Civil War. The movies until then were story and recounted this took after a few strings of account - the agreeable families in the North and South, political occasions in Washington, fighting with companions in inverse camps, abuse of the South, white and dark, floor covering baggers from the North and the ascent of the Ku Klux Klan.
21. Movements - The Silent Film Griffith's prosperity was likewise his demise. His movies - Intolerance - The Mother and The Law and The Fall of Babylon place him into obligation. Accordingly Financiers stopped to view the movie producers as the ruler pins of generation and chose to develop the film-star in their place - to place control in the hands of the maker, helped by his group of coordinators and scholars. (The Hollywood framework). This supported the motion picture over the film and lessened the danger for the banks. It likewise implied that the performer was strange in the motion picture world as his/her adaptability would make them unrecognizable and along these lines valueless economically. In any case, they additionally presented the langage (french = method for talking) of the film-long shot/mid shot/close-up and their variations.These expressions permitted the editorial manager to build a motion picture or film to create distinguished responses from the group of onlookers.
22. Movements - The Silent Film » F.W.Marnau (1888-1931) affected the film making process with the presentation of the configuration apparatus - the storyboard. This is a script pictured by drawings of each fundamental change of camera edges in the film. Marnau was impacted by the swing to one side in Germany post W/W I where business exploited the high swelling rate to mass produce movies at modest rates.
23. Movements - The Silent Film » The storyboard plan center presented systems like "visual punning" that (e.g) included demonstrating the progression of time by following towards a flame fire then dissolving into a lit gas plane or electric globule from which they would track away to the following arrangement of the story. This strategy was supplanted by nouvelle unclear that acquainted hop cuts with appear or permit the progression of time and space. This was known as "kultur-film" in Germany. World War I flagged the development of the film from the USA. This was on account of while Europe was battling a four year long war, costing 10 million dead, the Americans battled for six months at an expense of 115,000 dead. The 10 years of thriving in the USA permitted the business to pick up strength.
24. The Advent of Sound » Sound and film were moderate to oblige each other. Sound innovation was awkward and hard to connection to the velocity of the film. Sound made it hard to film in the outdoors, to film without meddling with lighting, without meddling with the way the performers talked and with the quantity of cameras ready to be utilized. Sound constrained film to adjust and grow new story methods.
25. Sound » Historical occasions and the sound film. The misery (1929-35) energized the advancement of the traditions of the hoodlum motion picture (the urban western ) and comedies that saw normal people resisting degenerate huge business. World War II energized the advancement of the promulgation film and again helped the USA pick up predominance of the motion picture making business. The effect of the innovation is found in Citizen Kane (Oson Welles 1941)
26. History World War II Studios got to be publicity machines for the War Effort. Movies devoted and concentrated on worries of those on the home-front as they stressed over those on the combat zone as the stills from "Flexibility Comes High" (1943) appears
27. New W ave 1960-80 The passing of the Studio framework had universal impacts permitting the re-development of rivalry from Europe - especially Sweden,France and Britain. The breakdown of the Studio System likewise energized the Film Festival circuit giving a screen to movies made outside of the USA combinations. » The New Wave permitted the beginning European Film industry a period to recuperate from the US control that had risen as a consequence of WWII. » However the resurgence of USA post 1980 implied that European movie producers moved into TV creation - parti
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